2033年，一名(✌)少女受困在一間神祕的孤兒院。她(tā )穿(🔧)越時(shí )空回到(dà(🛤)o )了過去(qù )，尋找(zhǎ(🔭)o )自己的親生父母(🔥)，企圖要改變過往(😲)、扭轉未來，或許(🥫)，她的人生將有不(💆)(bú )同的發(fā )展。

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.

Gaetano decided that he would bury his deceased brother with his family at all costs, even if it meant defying the laws of his Sicilian village and putting himself and his family in danger.

Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.

《被(bèi )遗忘的季节》是一部惊悚片，讲述(🎤)了一个平凡的人(💦)在成为杀人犯的(🍹)过程(chéng )中出现(xià(🌞)n )的互助(zhù )、放任(🥎)(rèn )等人类心理。将(🎡)平凡而又寒心的无业游民设定为犯人，将弟弟设定为充(💳)(chōng )满出人(rén )头地(🛎)欲(yù )望的记(jì )者(🎏)，将(jiāng )偶发性的一(🚳)次杀人与另一个(🔹)个人的欲望相遇(🚧)，如何演变成连环(💎)杀人，平(píng )凡的犯(fàn )人为什(shí )么成为(wéi )怪物。

藝術家自古(🎄)皆寂寞或許是境(🍣)界，人到中年萬事(🔫)憂則是現實。在畫(😮)(huà )室洋洋(yáng )灑灑(🧝)呈(chéng )現自由(yóu )雄(🍂)風的裸男畫作令他一舉成名，在家面對前妻懷着新歡骨(😑)肉、與女兒相(xià(🏪)ng )處尷尬(gà )卻令他(🚞)(tā )一籌莫(mò )展。貝(🕝)(bèi )蒙特的寂寞，在(🔇)於如何在著名畫(🎭)家與單親爸爸雙(✅)重身份、藝術創作與家(jiā )庭生活(huó )之間取(qǔ )得平衡(hé(🤔)ng )。維羅（《電影就在(⭕)街角》，35 屆）找來合(🙎)作多年的編劇兼(🍶)美指好友對號(hà(🐐)o )入座，還原藝(yì )術(🖊)家有(yǒu )血有肉的矛盾本性，在出世與入世的兩難外，毋忘(⏺)點點超現實的幽(😏)默。

影片讲(jiǎng )述青(🕞)年(nián )医生刘(liú )云(🥫)翔因(yīn )为父亲的(😟)被杀从而卷入了(📴)一起日军盗抢国(🎶)宝化石的阴谋，展示了我北平(píng )地下党(🎇)(dǎng )为保护(hù )民族(⚡)国(guó )宝而同日本(🌙)侵略者斗智斗勇(👀)的故事。

遭到友人(🐐)設局而欠下大筆(🦔)債務的張(zhāng )父，逼(🏯)(bī )不得已(yǐ )帶著一(yī )家四口承租花蓮的一處 凶宅，此處(🚽)過去曾發生了駭(🚖)人聽聞的五子命(🙋)案。初入凶(xiōng )宅的(🎲)當(dāng )天，一(yī )些若(🎇)有(yǒu )似無鬼影幢(🔲)幢，加上張父突如(😉)其來的搬家舉動，惹的張母與大姊心裡(🥔)不(bú )愉快。即使向(🔣)(xiàng )張父抱(bào )怨，鐵(🏜)齒的張父以一貫(⏩)不信鬼神的態度(👊)，予以拒絕。

“假如音(🔜)乐是爱情(qíng )的食(😳)粮(liáng )，请继(jì )续演奏(zòu )吧！”以配乐著称并为莎士比亚爱情(💃)喜剧《爱的徒劳》及(🌺)《爱的胜利》（即《无(❣)事生(shēng )非》）注入(⚾)无(wú )限活力的超(🌯)人气导演克里斯(😥)托弗•拉斯康贝(🧟)（Christopher Luscombe）携创作团队重返埃文河(hé )畔斯特(🆖)(tè )拉福德(dé )的皇(🔪)家(jiā )莎士比亚剧(💿)团，执导莎翁另一(🐋)部滑稽又心酸的(🧞)单相思爱情故事(🛋)：

晴晴和(hé )小雨(👦)一(yī )起来到(dào )城市打(dǎ )工投奔老乡莹莹，途中遭绑架团(🎫)伙赵卓和四通绑(🕍)架，影片以恢弘幽(🥥)默的(de )手法讲(jiǎng )述(🐩)晴晴(qíng )小雨与(yǔ(👋) )犯罪分子斗智斗(🤹)勇的故事。